Several years ago, I made the transition from part-time freelancer to a part-time ghostwriter. While I’ve discussed working within the constraints of someone else’s ideas concerning good writing, I haven’t talked about all the particulars.
And I can’t in a short format such as this.
What I can do, however, is take them one at a time.
Today’s focus is pacing.
I had a terrible time with pacing originally. Personally, I want a story to develop in a certain way. More organic than formulaic. I think most of you reading this can agree with that. Writing out a specific iambic pentameter for chapters leaves a bitter taste in the mouth. Especially when you’re a fan of letting your characters grow and change with the story.
And that is all well and good when you are doing your own thing. I have plenty of stories where the development of a character or the climax of the tale takes a long time to achieve.
If you’re working as a ghostwriter, then you need to think about pacing. You need to set your pacing so that you can put it on a graph where A stands for action, and B stands for anything else. Basically, when you lay out your chapters in front of you, you should have a rhythm, like so: A B A B A B…
Ad nauseum ad infinitum, as the Romans were wont to say.
Should you find yourself working as a ghostwriter and creating thrillers of any sort, keep this pacing in mind. Rev the engine, let it idle; rev the engine, let it idle. Not only will this keep your readers excited, but it’ll make your boss happy too.
And, best of all, it can help you with your own writing.
Speaking of which, time to do a little more of my own.
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